Bauernkrieg / Peasant War

January 27, 2017 - October 7, 2017

On view through October 7, 2017

From 1903 to 1908, Käthe Kollwitz worked on the plates for Bauernkrieg / Peasant War, a series of etchings that represents the brutal treatment of peasants in sixteenth-century Germany, their rise to revolution and battle, and their subsequent humiliation and death. Although based on historic events, the series anticipates tragedies that unfolded across Europe during the first half of the twentieth century. The works in the series are: 1. Die Pflüger / The Plowing; 2. Vergewaltigt / Raped; 3. Beim Dengeln / Sharpening the Scythe; 4. Bewaffnung in einem Gewölbe / Armng in a Vault; 5. Lorsbruch / Outbreak; 6. Schlachtfeld / After the Battle; and 7. Die Gefangenen / The Prisoners. The prints were acquired by the museum through a series of gifts and purchases. 

Exhibition curated by German major Courtney Rogers '17. Materials for this exhibition are availalble in English and German.

Muybridge & Curtis

The Great Photographic Projects of the Gilded Age

May 27, 2017 - October 14, 2017

Opening Reception: Friday, September 1, 5:00-7:00pm

May 27–October 14, 2017

Documenting what the eye cannot or would no longer see.

Gilded Age America witnessed the rapid and widespread expansion of photography, particularly as a tool of documentation in the natural and social sciences. Muybridge & Curtis considers the two vast photographic projects of the day: Eadweard Muybridge’s Animal Locomotion: An Electro Photographic Investigation of Connective Phases of Animal Movements (1887) and Edward S. Curtis’s The North American Indian, Being a Series of Volumes Picturing and Describing The Indians of the United States and Alaska (1907–1930). Working during the age of heavy tripods, large wood cameras, and glass plate negatives, Muybridge and Curtis made tens of thousands of negatives for their respective work of unparalleled scope. Both projects were realized for scholarly study through massive, costly publications. Animal Locomotion, produced under the auspices of the University of Pennsylvania, contained 781 multiexposure plates printed with the collotype process. The North American Indian, underwritten in part by John Pierpont Morgan, filled 20 volumes with more than 2200 photogravures based on negatives made by Curtis. Muybridge & Curtis, drawn exclusively from works in the museum’s collections, considers the two projects within the context of early photography and their role in the developing natural and social sciences.

Eadweard Muybridge prints gift of Samuel Moyerman

Edward Curtis prints gift of Angelo Brutico, Jr. P'19