This exhibition considers a range of statuettes, made for use in Buddhist practice, from Burma, China, Japan, Java, Korea, and Thailand. It is curated by Bizz Fretty '20, working in conjunction with faculty members from the departments of East Asian studies and religion. Manifestation and Adaptation is organized in support of the annual meeting of the Mid-Atlantic Region Association for Asian Studies Conference.

Edward Burtynsky is regarded as one of the world’s most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes are included in the collections of over sixty major museums around the world, including the Guggenheim Museum (New York), Los Angeles County Museum of Art, Museum of Modern Art (New York), National Gallery of Canada (Ottawa), Reina Sofia Museum (Madrid), and Tate Modern (London).

The thirty works in this exhibition represent landscapes, cityscapes, and seascapes from the permanent collection of The Trout Gallery. These works span from the 17th through the 21st centuries and represent a variety of cultures and media. Framing Space – Depictions of Land, City, and Sea explores the relationship between the artist’s construction of space and the viewer’s reception of it.

is regarded as one of the world’s most accomplished contemporary photographers. His remarkable photographic depictions of global industrial landscapes are included in the collections of over sixty major museums around the world, including the Guggenheim Museum (New York), Los Angeles County Museum of Art, Museum of Modern Art (New York), National Gallery of Canada (Ottawa), Reina Sofia Museum (Madrid), and Tate Modern (London).

Timely and Timeless showcases woodblock prints from 1833 to 1959, the most transformative era in Japanese history, to examine the versatility of the woodblock print medium and interrogate the "timeless Japan" with which it is so often associated. The earliest prints in the exhibition date to the Edo period (1603-1868), depicting idealized landscapes and the world of entertainment brought about by urbanization and commercialization. Technological innovations, periodic censorship, and Western influences inspired increasingly experimental designs. Despite facing challenges from photography, lithography, and Western-style painting, the woodblock print medium remained competitive through the industrial revolution in the Meiji period, nostalgia and nationalism of the 20’s and 30’s, and the aftermath of a lost world war.

This exhibition features prints and photographs from the museum's permanent collection that focus on current political and social issues. Many of these works were acquired as part of the museum's student-selected art acqusition initiative. It features works by contemporary artists: Ken Kitano, John E. Buck, Steve Prince, Manu Brabo, Sue Coe, Toshio Shibata, Yao Lu, Hung Liu, and Lalla Essaydi.

UNLOADED is a multi-media, group exhibition that explores the historic and social issues surrounding the divisive nature of gun ownership in the United States. Curated by Susanne Slavick (Carnegie Mellon University, Pittsburgh), the exhibition presents a number of perspectives on the image and impact of guns in contemporary culture. Works by twenty-two artists examine, according to Slavick, “the role that guns continue to play in our national mythologies, suicide rates, individual and mass murder, domestic violence, and the militarization of civilian life.”

Shan Goshorn, who infused her designs with text and imagery that address issues central to the Native American experience. This selection of works by Goshorn focuses on the Carlisle Indian School, including a remarkable fourteen-basket set entitled Resisting the Mission; Filling the Silence made especially for this exhibition. Additional works are on loan from museums and private collections, including Educational Genocide, a basket that masterfully weaves together words and images from the children who attended the school.